What To Blog About If You’re Not Published

Some great tips from published Y.A. author K.M. Allan. These are specific to author/bloggers (a bit of a niche) but still extremely useful. Unpublished writers are urged to “build a platform”, but it can be hard to come up with content ideas when you lack the authority of previous publication. These are all great content topics she’s listed. I say that because many of them are the type of content I posted myself here on Suburban Syntax prior to becoming published myself. The system works!

K.M. Allan

While June might remind us were already halfway through another year, it is also this blog’s blogiversary month!

I published my first post in June 2017. That kicked off the 117 posts I’ve published since.

I launched my blog to extend my writer platform. I’d already begun querying agents and publishers and had been rejected, but was still two years away from signing the small press contract I was offered in January 2019. I wasn’t published anywhere and didn’t have a book out to plug.

So what does a writer who isn’t published write about?

Writing, of course! My first post was titled Just Start, which was, and still is, a life motto of mine.

While I’m still another 6 months away from being officially published (the first book in my YA series, Blackbirch, is coming early 2020), I’ll continue to practice what I preach and blog about…

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More Reasons to Join A Writer’s Group

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Summer is right around the corner, and that’s going to mark the second anniverary of my writer’s group. We’ve had numerous up’s and down’s, membership turnover, and even a venue change, but the core group of authors who initially put it all together are still there, grinding away and putting out the work.

In honor of this, I want to re-visit my earlier ‘Reasons to Join A Writer’s Group’ post with a few more ideas now that our family has grown and matured (or at least gotten older).

Networking

The writer’s group I belong to is successful. That might sound a bit conceited, but it’s true. In the past two years, nearly every author in the group is traditionally published, gotten into a respected Workshop, worked with well-known editors on anthologies, or raised their platform through media tours. One of our members even got a multi-book deal.

Now, all of that is on their own hard work and diligence, but having a trusted group of friends and colleagues to advise and share contacts with is also so much more important than I ever would have known. Being able to “vouch” for another writer to an editor, agent, or artist can open doors you simply wouldn’t have come across flying solo. Plus, we learn from one another’s triumphs and failures, which better helps everyone in the group to navigate the complex landscape of writing and publishing.

Trusted Critiques

Writing is an extremely personal thing, and as one member of my group put it “it takes a lot of trust to hand your work over to someone”. This is true, and what has struck me even more, years on, is that critiques in our group have become simultaneously more comfortable and more intense. As you get to know one another, walls come down, and you can both give and receive the kind of fundamental, honest feedback that is needed to improve a book or story. Plus, when you receive that constructive criticism, you know it’s coming from a place of honest encouragement. We all have each other’s best interest in mind.

Accountability

Meeting with a group regularly, over the long-term, helps to keep you accountable to actually write. Knowing you need to submit, at least every once in a while, will keep you from getting too comfortable. You want to write, after all, and it helps to have friends with common goals who will really push you to get words on the page.

Are you a member of a local writer’s group in your area? If so, tell me about your experiences down in the comments.

Thoughts on Self-Publishing in 2019

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I’ve written a few posts in the past on the “Traditional versus Self-Publishing” debate. As someone who has work released through both channels, it is something I periodically reflect on. Mostly on the self-publishing side, because it changes very rapidly in comparison to the iceberg-like pace of the traditional publishing industry.

This week I listened to a podcast interview with a small publisher, and he spoke about the self-publishing landscape as retracting. Not from the content standpoint, but from the perspective of readers becoming more selective in their purchases.

This coincides with something I’ve been feeling now for a while, which is that self-publishing, specifically through Amazon, is no longer a viable path for a majority of writers. It’s in no way a slam against indie authors. For the few who are making it work, that’s awesome, and certain segments of the industry (mainly Romance) are reaping the majority of their sales through it. But for the average “aspiring author” who is creating literary fiction or writing in a broad genre like “YA”, fantasy, or science fiction, traditional publishing seems to be the way to go in 2019.

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Balancing Creation and Consumption

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“You cannot create when you are consuming.”

Pragmatic writing advice if I’ve ever heard it.

It sits at the opposing end of the spectrum from “read widely” and “refuel your creative tank”, which are also widely accepted as good advice for authors.

I’m still deep inside the second rewrite of my dark fantasy novel, and prioritizing it against other creative pursuits. I wrote a post a few months ago about writers having other hobbies, and I still stand by my opinion that two hobbies is the “right number”.

Finding Balance

Further prioritization of  limited time has found me exploring  how to balance pursuits that create versus consume. It has meant letting go of some things that I used to enjoy doing, but honestly can’t justify devoting time and resources to anymore.

Video games were the biggest sacrifice on this list. I used to be an avid gamer, and I still love gaming, but the industry seems to have moved in a direction where the games became huge time sinks. I can’t justify putting 25-60 hours into something that, while it may grant a feeling of accomplishment, doesn’t create any sort of tangible creative product.

25-60 hours is a lot of writing. That is short stories, revised chapters, posted submissions, or even a few rolls of film on a photo shoot or two. These are efforts that create, or at least advance, a body of creative work. It’s why in January I made a “silent resolution” to stop buying new games.

Making Art

It’s a matter of creating your own art versus consuming that of others.

I stopped purchasing games to throw into an ever-growing backlog for the same reason I let go of trying to voraciously speed read through my TBR book pile. I had become obsessed with trying to consume “all the things” and it was stressful and detrimental to my creative process. Anyone who can afford an internet connection is lousy with entertainment choices these days, and there seems to be a strange quasi-guilt emerging with it. Is that FOMO? Is that why Marie Kondo is so popular on Netflix?

Maybe I’m becoming more aware of my own mortality, but the older I get the more I desire to establish an artistic legacy. Adult responsibilities always seem to get in the way of creative time, so it makes those free hours even more precious. However, you can’t be creative all the time. That is a sure-fire recipe for burn out. So it requires balance.

A Process

The balancing of creative output and what I’ll pretentiously call “artistic consumption” is a matter of scheduling, routine, and determination. By creating an intentional routine, I’ve learned that I write far better in the early mornings, when my brain is still energized and fluid with ideas. Once I’m burnt out from the day, I can relax in the evenings with a book out of that TBR pile for a couple hours. It’s a process I’m always refining, and in other odd moments I eek out submissions, the occasional blog post, or a little promotion.

I’m curious what other authors do to balance their creative output versus consumption of media and art. No matter what your process is, I think it’s a good problem to have. The luxury of available means and ability to hone a craft is still a valuable commodity in our fast-paced, modern world.

Heroes and Villains

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Last week, someone asked me my thoughts on writing antagonists versus protagonists.

Since I prescribe to the “no cardboard cutouts” philosophy of writing good-guys and bad-guys (or girls!), but I always love a fine juxtaposition of world views (see: Batman and The Joker), I told them this.

Your villain cares about the omelet, but your hero should care about the eggs.

One of the strongest pieces of writing advice I ever received was to write the villain so they could’ve been the hero if they made better choices. It goes along with “every villain is the hero of their own story”.

But, honestly, it was the weekend, and I wanted an omelet for brunch.