‘Yard Sharks’ Now in Corvus Review

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I’m excited to announce my horror/bizarro short story “Yard Sharks” is now available online in the latest issue of Corvus Review.

You can read it here for free.

This story was previously only available in print.

I’d like to thank the editors and staff of Corvus Review for selecting my piece to publish in their magazine along with a slew of other great, weird, short stories.

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The Benefits of Reprints

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I recently received an acceptance note (hooray!) that one of my short stories was accepted by a literary journal as a reprint. I haven’t seen much discussion of reprinted works on here or social media, so I figured I’d post for the benefit of other authors who might not have given them much thought.

Expand Your Audience

Reprints are an excellent way to get your existing work in front of new readers. My short story “Yard Sharks” was originally published in a print-only lit mag. That means it had a relatively narrow audience. The literary journal that picked it up as a reprint is online, so it will now exist in a whole different medium; with the power to share it more easily. Reprints can breathe new life into an old story, and you never know who might read it.

Keep Up Author Momentum

We can’t always write new stuff. Life happens, and even the best of us get occasional writer’s block or just need time to recharge our creative batteries. Submitting existing work for reprint is a great way to keep your “author momentum” going, and “make your writing work for you” as a friend of mine said. It gives you a positive goal and something to talk to your readers about in those extended periods of downtime when you are either struggling with an idea or perhaps deep in the throes of revising a novel.

Validate Your Work

What’s better than having a publication accept your work? Having two publications accept it. Or three. Or five.

Publishing is a numbers game, and a networking game. There’s clout to be had when editors or outlets look at a piece that has been picked up multiple times. It implies quality, which might mean the difference between them giving you an opportunity versus a rejection.

Seeking Reprints

There are fewer literary journals and anthologies that accept reprints than don’t. Most places want previously unpublished works. That said, there are still a number across all genres that are willing to give good stories another home. Just be sure, as always, that you read submission guidelines carefully and that all your republication rights have effectively returned to you before you seek new pathways to reprint your work.

 

Writing Tip: Never Pay Submission Fees

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Today’s post is brought to you by the letter S. Or more specifically💲.

I’m preparing to submit another round of short fiction, and noticed quite a few “start up” magazines (especially on the gross-but-necessary Facebook) are charging submission fees. This isn’t cool, and I’ll try to explain why without it turning into a rant.

Suffice to say, you should never pay anyone to read your writing.

Submission Fees

Are bull$h*t.

Also known as “reading fees”, many literary magazines and journals claim they need these to cover production costs or to pay their editors/slush readers. You should never submit your work to a magazine that is asking for a reading fee, and here are a couple reasons why.

🎩 ::puts on curmudgeon-y businessman hat:: 🎩

  • It’s not your problem if they operate at a loss.
    • Many of these tiny journals are passion projects. Nonetheless, they probably get way more submissions than they can or will accept. Lit mags have notoriously low acceptance rates, and that means you’re subsidizing someone else’s creative endeavors for them to potentially read one sentence (if any) of a story and chuck it in the trash. If you DO get accepted and published, you likely won’t get any payment.
    • Most writers aren’t rolling in dough. You need to save money for more important things involving your own work
  • You don’t know their readership or margins
    • Often they ask for a fee, but either don’t pay the accepted authors or pay them in token copies
    • Sometimes the journals are “online only” which means their overhead costs could be next-to-nothing
    • If they ARE selling the magazine, you’re paying them to take your product (writing), and then make money off of it, essentially “double-dipping”.
  • The project may never happen
    • Not all ideas come to fruition. I like to believe people are good, but there are plenty of scammers out there who prey on idealistic writers and disappear without ever creating a journal due to “circumstances beyond their control”, but by the way “no refunds”.

I’m not saying all literary journals should be operating at a loss, but the legitimate ones that you see on Duotrope and Submission Grinder are usually stable enough to accept work without charging, even if they don’t have enough of a budget to pay the accepted authors. They understand that writers are providing their hard work for either a token payment, or exposure to a wider audience.

In my opinion, “Pay to Play” is never an acceptable model.

Exception: Contests

Here’s where I contradict myself.

If a writing contest is requesting a submission fee, because it intends to pay a cash prize to the winner, then a SMALL payment is usually OK. You should still do some research and only enter legitimate contests that have been around for a while. You can usually spot sketchy ones:

  • They’re “annual” but this is the first year they exist
  • The fees are much higher than the final collected pay out to the winner
  • There is little-to-no information or backing, other than an address to send money and writing to

I know some authors who have hard & fast rules about never giving their writing away. I don’t feel I’m at that level yet, so I’m open to opportunities that don’t involve direct payment. However, I will never pay money to either submit (or be published), and I’d encourage you to never do that either.

The entire reason publishers and magazines exist is to build a readership by selectively publishing the work of authors they feel deserve merit. It’s not our job to keep them in business.

That’s what readers are for.

 

Submitting to Literary Journals

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I’ve begun submitting work to literary journals.

As part of my exploration of the “hybrid author” model, and at the behest of my friend and co-conspirator Jeff Conolly , I’m sending off short stories and flash fiction to a number of literary magazines.

This is something I hadn’t considered, based on my own biases. The last time I submitted anything to a journal, it was the late 1990’s (yes, I’m dating myself here), and it was a painstaking process of stuffing envelopes and licking stamps. That was followed by months of waiting to receive a rejection form letter in the mail. Sounds great, right? You can see why I compartmentalized these things into the darkest recesses of my mind.

Enter: The Internet.

Literary journals are WAY different than I remember them. First, there are so many more around due to the advent of electronic publishing and “the web”. Second, it’s far easier to submit your work via email or the free site Submittable (which many of them use).

I have to admit I feel silly for not looking into this sooner. I should have known better than to assume they hadn’t evolved in twenty some odd years. Now my plan is to continue submitting shorter works in between writing my current full length novel(s).

Have you ever submitted work to a literary journal or magazine? I hope so, and I hope it was accepted! Let me know down in the comments. I’m interested to hear other writers experiences with them.