photography

Point And Shoot Film Camera Hype

Contax T2 35mm film camera

I was discussing film cameras with a photography friend this weekend, and the conversation of Point n’ Shoot cameras came up. While I love Point & Shoot Cameras, I think there is some serious hype going on that should be avoided, or that film photographers (especially new ones) need to be aware of.

The Hype Bubble

I won’t go into the details of Kendall Jenner’s Contax T2 and her effect on film photography, but I’ll start this post with a nod to it.

I harbor no resentment. In fact, I think it’s great when more people get into film because demand keeps production going and anything that keeps film alive is OK in my book.

My problem isn’t even with the prices of PnS cameras skyrocketing either. Because the Contax T2 is in fact, an excellent camera. My issue is with the overall value of the tool versus what people are now willing to pay for it.

A Camera By Any Other Name

Contax’s and Olympus MJU’s are excellent cameras. No doubt.

However, I came across a Youtube “influencer” yesterday who was using a Contax G-series in a video for FILM BEGINNERS. That is a problem in my mind.

I think beginners shouldn’t be given the impression that they need a $900 camera from the early 1990’s, or that those are the only option. It seems more and more people are grabbing them as status symbols. And that’s fine, if that is all you are looking for.

For someone who is just starting out with 35mm film and wants the simplicity of a Point and Shoot (though I’d argue an SLR like a Pentax or Minolta will teach you more) there are so many inexpensive alternatives that will produce nearly-as-good photos as something like a Contax. They might not look as cool, but they will work.

Mechanical Animals

I still firmly believe mechanical is the way to go with old cameras. They are sturdy and can be repaired in many cases.

Point and Shoot Cameras are often electronic, and if something malfunctions on them, you’ll have a hell of a time trying to find parts and a repair/service shop. This makes investing in an high-priced PnS camera a risky proposition.

The other thing to consider is that Point and Shoots are by their nature limited. Their convenience comes with trade offs. You can stuff them in your pocket, but they’ll never give you the control and flexibility of an SLR or even a rangefinder. Often that’s fine, but I think there is a kind of intangible “value cap” on what they are capable of. I personally go digital when it comes to PnS. I stick with SLR and Rangefinder for film.

If you want to get into film photography, $1000 could buy you multiple SLR’s, lenses, a rangefinder, and a couple of decent point and shoots. Plus lots of film!

It is What It is

This post may sound a bit rant-ish, and perhaps it is, but I’m not complaining for the sake of it. I feel the same way about beginners being exposed to Leica’s on the internet as teh defacto rangefinder.

To round things out, Here’s a quick list of questions to mull over before you purchase ANY camera:

  • What functions do I need it to perform?
  • Can it be easily repaired?
  • Is it within my budget?
  • Are there comparable cameras that provide the same quality at a lower cost?
  • Do a lot of people on Youtube and Instagram hype this camera up?

Those questions along with twenty minutes of research should set up anyone looking for a 35mm Point and Shoot Camera for success. Honestly, there are probably quite a few well-loved ones waiting at your local thrift store for $15 right now.

 

photography

Kodak Increases Film Prices in 2020

 kodak colorplus 200 film

Time to hoard some Kodak film!

If you read the film photography news or follow the film photography socials, you might have seen the big announcement that Kodak Alaris is raising prices on all film beginning January 1st, 2020.

The Bad News

While I’m no alarmist, and don’t mind a paying a little more, the word “significant” in a press release is somewhat concerning when talking about a price jump. Especially since this is for all of their film stocks.

I was curious and looked back at my last purchase of ColorPlus 200 in 2018. I paid roughly $17 for five rolls, and one year later they are averaging $35 for that same number. If Kodak really is discontinuing Gold 200, then I’m glad I snagged a bunch of it at Walgreen’s clearance, because Kodak ColorPlus 200 might become the cheapest consumer option at an increased price point. Fuji C200 (which is a great summer landscape stock!) has crept up too.

Since I want to get back into Black & White, and maybe even developing at home someday, I grabbed a pack of Kodak Tri-X 400 as well before it goes up. If the price increases truly are significant in 2020 I may start looking into Ilford HP5 since I’ve heard really good things about it.

The Good News

In the long run, it’s positive to see demand is high and film photography is “back”. This announcement, along with the increasing prices of film cameras, are a bummer on the wallet. However, I’d rather have film be more expensive than not available at all.

Kodak also stated that their supplier should show results of capacity increase by late 2020 and 2021. I’m hoping that means prices will settle back down in the long-term and it will result in a healthier, competitive market for film. Only time will tell…

photography

Comprehensive Photo Film Index

film cannister

Here’s one for all my film photography followers.

The Darkroom just opened up a “comprehensive” index of available films. You can check it out here.

While it’s not 100% exhaustive, and I’m sure hardcore film geeks will debate some of the different film stats (except the insane latitude of Kodak Tri-X) it’s still a very nice, handy guide, and I’m sure it will be of value to anyone who is either new or returning to the wonderful world of film photography.

I tend to trust The Darkroom, as I send all my color rolls to them and they do a nice job for a reasonable price.

photography

Kodak Gold 200 Film Discontinued?

IMG_20190923_174843350

I got a hot tip yesterday from the /r/analogcommunity on Reddit¬†that Kodak Gold 200 film was on a serious discount at Walgreen’s pharmacies across the U.S.A.

Averaging between $4.79-$12 for a 3-pack of 24 exposure rolls, the clearance price varies from decent to “gotta grab it” levels of bargain basement insanity. I spent an hour yesterday afternoon driving to my area Walgreen’s and while some had already sold out, I managed to find five packs. Only one was expired.

Walgreen’s clearance has everyone speculating that Kodak could be discontinuing the Gold 200 line of film stock, perhaps leaving only ColorPlus 200 and Ultramax 400 for user-grade films?

I’ve never shot Gold 200 before. I’ve seen some nice work with it online, but honestly for a 200 ISO film it was simply too expensive compared to the ColorPlus 200 and Fujifilm C200 I was able to snag online. C200 seems to be getting rarer, and if Gold will truly be discontinued then I’m glad I’ll have a little stockpile in my fridge.

My hope is that Kodak is simply discontinuing 3-Packs of it. Inexpensive film is a good gateway to photographers who are either discovering or returning to film photography, and at least where I am it’s near impossible to find Kodak ColorPlus 200 anywhere but online. I hear it’s more of a European product? I’m sure there are business reasons behind it, but I hope they maintain at least one cheapo stock alongside the Portas and Ektars for higher-end use.

If you’re reading this and dig on Gold, go check out your local Walgreens. Kodak Gold 200 apparently produces very rich reds and yellows, so I’m anticipating some nice Autumn foliage shots when I load it up.

photography

Summer Fun on Cape Cod 2019

Here’s a selection of photos from my summer vacation back in August.

These were taken in Cape Cod, Massachusetts in Hyannis and on Mayflower Beach.

I used my Pentax KM along with some FujiFilm C200 and a “new” el-cheapo Vivitar 50:1.8 lens.

As a bonus, you also get “lamp in sky” which is my very first accidental double exposure using film. I had to fix my shutter and this happy accident (as Bob Ross would say) occurred. I think it looks pretty cool, and it’s the kind of thing that can only happy organically on film. I’m also keen on the odd chemical aberration that happened from the pic riding across the Bourne bridge.

Also of note: when your subject is seagulls, Wheat Thins are an effective form of payment to encourage them on the shoot.