When you become a writer, one of the “rules” you’re advised to learn is to avoid info-dumping.
If you haven’t heard of it before, it’s when the writer bombards the reader with everything they think they should know—all at once.
While you might think there’s no way you do that, info-dumping is an easy trap to fall into. It’s one of those writer-blind spots where we can easily see it in other’s work, but don’t notice it in our own.
It can worm its way in like typo gremlins, but here are some likely places you’ll find info-dumping so you can work out ways to avoid it.
5 Ways To Avoid Info-Dumping
Check The Starts
Info-dumping likes to live at the start of things, such as the first chapter, the first introduction of a character, or the first instance of world-building. It sets up home there because the…
Ah, point of view (POV), a writing essential to include in your book but something that you can get so easily wrong. It doesn’t take much to slip from the view of the character who is telling your story, and you might not even notice you’ve done it. That’s where the following advice comes in […]
I was recently listening to an episode of my favorite writing podcast, Write Now with Sarah Werner and she was talking about “The Slog”. The slog is a real thing, and 2020 has been the kind of year that brought it to the forefront for a lot of us writers.
Throughout the pandemic I’ve been posting tips and other ways to help writers keep a routine, manage stress, and other ways to help keep a little bit of creative output going. It’s been extremely difficult, especially for those extraverts among us who are “re-fueled” by being out in the world around other people. I even succumb to it towards the end of summer, and had a pretty big gap in posts here for some months. My writing output also suffered during this time.
I’m still deep into editing the final draft of my next novel. I managed to finish the manuscript earlier this year, but then I simply ran out of gas. My writer’s group has kept me accountable to continue reading and critiquing the work of others, which is wonderful. However, even that wasn’t getting me through my own “slog”. It was this recent episode of Sarah’s podcast though, that really let me put a name on what I was going through. It seems like such an entitled, aristocratic problem to be trapped in one’s own writing, but here I am anyway. #SorryNotSorry.
Over the past few weeks I’ve managed to climb my way out of this hole though, and what worked for me was something (admittedly silly) that are referred to as “micro goals”.
Micro Goals and You
So, what is a “micro goal” and how does it work? Do you need a self-help book from Barnes&Noble to use them? No. You don’t. You also don’t need to watch any YouTube videos about them, because I already did that for you. Spoiler: They are all way too “self-help-y”.
Micro goals take advantage of human nature and our natural psychology to form habits. When we’re in a rut, or find something new, our natural inclination is to get super excited and do it a lot. Then over time we “plateau”, lose interest because it’s not as shiny, and eventually let other things take priority.
Earlier this year I went whole-hog into finishing my manuscript. It left me creatively drained, and I have been letting writing take a back seat to everything else that isn’t writing. Where the micro goals come in is rather than me saying “edit 10,000 words a day”, I set a goal to “edit 10 words a day”. The goals are so ridiculously small that they cannot fail. I can edit ten words in less than five minutes. I simply have no excuse not to open my MS on my phone and edit for the day. The trick is the consistency.
It’s been weeks now, and some days I’ve edited ten words, but other days when I have time I’ve edited quite a few more. Even a whole chapter one weekend. But the key is I’m back to working on my novel in some capacity every single day. No exceptions.
I’m not claiming they are a cure-all, but using micro goals to set a habit (or get back into one) has been effective for me. It gives you a small feeling of accomplishment each day, which helps alleviate getting down on yourself about not working on your writing, which as we all know can just make you write even less.
If you’re in your own “slog” you may want to give them a shot. Just make sure whatever micro goal you set, it is too small to fail, and ideally takes under five minutes a day to accomplish. Maybe they can work for you too.
Are you in “the slog” on a writing, or other creative, project? Has this crazy year sapped your creativity? Let me and the rest of my community know in the comments if there’s anything that has helped you to stay creative during these strange times.
It’s been a while since I’ve written anything on the blog, but a lot has been happening since this summer. We’re still in the pandemic, but I’ve been making the most of it by editing my next novel and working on a system to develop my own film at home.
For all the upsides of film photography, the main drawback for me (and many others I’m sure) is the cost.
Film is expensive, and prices are only going up. The few remaining labs near me charge roughly what a major mail-away provider does, and the cost of developing color film has turned it into a periodic luxury. This has sent me back in the direction of black & white photography, which I’m totally OK with. I originally started on black & white with my father’s Canon FTb way back in a high school photography class. I enjoy the look and the challenges inherent in black & white photography, so I’m alright with that being my main film output.
I also recently acquired a Canon Rebel EOS T7 DSLR, but that’s a story for another post.
I do not have a lot of free space or the budget to create a home darkroom, so I wanted to try and put together a “dark room in-a-box” for under $100. I managed to accomplish that goal and I’ll outline what I purchased here for any of you that might want to start developing film in your own home.
Step 1: Put Your Film in The Box
That’s not actually step 1.
As I mentioned before, I wanted to do this on a budget of $100 and ensure it didn’t take up a lot of space, so here’s what I came up with.
Sterilite Locking box ($7 at Walmart)
Clothes pins ($2 at Walmart)
Distilled water ($1 at Walmart)
Can opener ($1 at Walmart)
Scissors ($3 at Walmart)
Measuring cup & funnels ($4 at Walmart)
Thermometer ($9 on Amazon)
Changing Bag ($18 on Amazon)
Cinestill B&W develop-at-home kit ($35 on sale from Cinestill)
Kodak Photo-Flo ($8 from B&H Photo)
Coat hangar (salvaged)
Total Cost: $88 (enough left to buy some rolls of film!)
The big break I got when it came to building this kit was the Cinestill “DF-96 monobath Develop-At-Home kit”. This kit came with the Cinestill monobath, a two-reel Patterson tank, and a couple rolls of their BWXX black and white film. Thirty five bucks is a steal considering every Patterson or Jobo tank I saw online was around $30 or more just by itself.
This is a very simple workflow. The Cinestill monobath is a one-step developer and fixer, and quite easy to use. It has a somewhat short shelf life, but it gave me the confidence to start developing again after having been out of the game for over twenty years.
I load all my equipment and film into the Patterson tank, and then developed some Kentmere 400 (also going budget on film) in the tank. Unfortunately, my negatives came out a bit thin since my monobath had been punctured during delivery and was somewhat spoiled.
Luckily, the fine folks at Cinestill provided me a replacement and sent it in powdered form, which is the form I’ll purchase it in going forward.
Once I had developed the negatives, I tried out my Pixl Latr. It’s a nifty device (review is forthcoming) but didn’t deliver the exact results I wanted, so I’m looking to get a flatbed scanner sometime soon.
Thoughts on Home Development
I enjoy the process of home development. I’m happy to continue building out a little “home lab” as I find deals on equipment, since I’m still a bit nervous about the long-term sustainability of film. Black and white is simple, which I assume means it will be around for quite a while even if it’s produced by smaller companies. Plus, COVID has put a lot of strain on film labs, and I like having the piece of mind that my beloved film cameras won’t become paperweights as long as I can get my hands on some cheap B&W film and have the skills to develop and scan it myself. I consider this “Dark room in-a-box” and investment as this should all pay for itself in under twenty rolls of film shot.
Do you develop you own film at home? Let me know down in the comments I’d love to hear from you about your setup and any mishaps or triumphs you’ve had with this always intriguing process!
The global COVID-19 pandemic has affected so many aspects of life, but as a reader I’ve actually felt fairly little impact.
I still read eBooks on my Kindle, and was able to order physical books online. Now that local retailers and my library are operating (somewhat) normally again, I can go buy them in person again too.
So, what’s changed? I think the lasting impact that COVID-19 will have on books and readers is a bit more subtle than how we actually purchase things to read.
Publisher’s Going Online
Like so many industries, publishing had to adapt to its employees working from home. I believe the pandemic may have been the catalyst to finally get the monolithic, and notoriously slow, publishing industry to start moving more quickly. The realization that many jobs can be performed remotely, and that customers can be interacted with directly out of necessity is a sea change. Whenever we collectively decide the pandemic is “over”, I think we’ll see these publishing industry changes as permanent, like we will in other large creative industries. I don’t think there’s any going back from the industry making a change to be somewhat leaner and more agile.