announcement, article, guest post, writing

Do You Want To Guest Post?

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Would You Like to Expand Your Audience?

As part of my “2020 Blog Resolutions” that I mentioned here, this year I’m looking to have more bloggers featured on this site via guest postings. Guest posts are a great way to expand the audience of your blog by getting writing in front of a new audience that might not be familiar with you.

While re-blogs are great, they don’t have the same level of intimacy and intention that a well-crafted guest post does.

To that end, if you’d be interested in writing a guest post about

  • Writing (Writing Tips, Writing/Author News or Trends, or just relatable author struggles)
  • Books (Book reviews, genre news, or “bookish” trends)
  • Film photography (news, reviews, fun camera stuff with some featured images)

I’d love to have you on the site. Even if you’ve never written a guest post before, I’m happy to have Suburban Syntax be the first place you try. Feel free to email me here at bdauthor@outlook.com or message me via WordPress or on Twitter.

Need Some Content?

If you like my stuff and are looking to temporarily ease the burden of creating content on your own blog, let me know and I’d be happy to write a guest post for your site if we can find a topic that is a good fit. See the above bullets for the type of content I generally focus on.

Here’s to a great 2020 of blogging and I hope to hear from you!

writing, writing tips

Ways to Keep Your Readers Engaged

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One of the most difficult parts of writing isn’t the big, exciting, flashy parts of your story, but the quiet moments in-between them. Let’s call them “mundane moments” to be honest but not overly cruel.

This article by the great Chuck Palahniuk over on LitHub  emphasizes the importance of not boring your readers.

Of course you can move along in one unbroken moment-to-moment description, but that’s so slow. Maybe too slow for the modern audience. And while people will argue that today’s audience has been dumbed down by music videos and whatnot, I’d argue that today’s audience is the most sophisticated that’s ever existed. We’ve been exposed to more stories and more forms of storytelling than any people in history.

Chuck identifies that authors shouldn’t be afraid of using different tools and methods of filling that “in-between” space with things other than rote lists of boring activities. I’m very guilty of this in 1st drafts. Characters milling around, picking things up and putting them down. Looking at one another. BORING!

Some of the things he identifies as alternatives are

  • Montages
  • Interesting “coded” dialogue that helps flesh out character groups
  • Short chapters that describe/show locations as characters travel

I am certainly a writer from the school of “making it like a film”. When I wrote DETROIT 2020 one of the primary goals of the book was to make it a book for readers who would rather be watching an action movie. Even my internal author “camera” sees scenes played out like little movies in my brain as I’m writing.

Pacing scenes like films in your head can really resonate with audiences who are savvy and used to processing information quickly. It’s also another reason that the old adage of “Show versus Tell” is so important. You want to build the image in your reader’s minds so their processing of that vision is efficient and seamless. Being “told” takes more energy on their part and risks a disconnect.

There are also a number of things that can make your prose cleaner and more efficient when you are self-editing your initial story drafts.

The main takeaway here is if you or your beta readers find some yawning moments where your story lags, then your readership certainly will too. Bored readers are no readers at all.

Hopefully these posts will spark some unique ideas to fill those mundane moments in your stories. If you have additional suggestions on how you work with those spaces share it with your fellow writers down in the comments!

photography

Yashica Electro 35 GSN

Happy New Year! I hope your 2020 is off to a great start.

I recently added a new member to the camera collection. I stumbled across this Yashica Electro 35 GSN at a thrift shop and purchased it for a very fair price (< $35) considering its condition.

I’m excited to add this classic rangefinder to my arsenal.

Poor Man’s Leica

I’ve seen the words “poor man’s Leica” more than a few times while researching this camera. I wanted a budget rangefinder, and had narrowed my search to either a Canonet Giii QL17 or some form of the Yashica Electro 35. Both garnered favorable reviews and create beautiful images despite their individual quirks & flaws.

Not My First Electro 35

In fact, I found an ORIGINAL Electro 35 (there are numerous iterations) last year at an estate sale in pristine cosmetic condition. I was extremely excited and bought it, only to discover it was marginally functional and beyond my capability to repair. Sadly, I sold it for parts or hopefully to someone more savvy than myself to resurrect.

After that disappointing venture, I was happy to run across this GSN which by most measures is the superior model. It has a hot shoe and higher max ISO rating among other things. Plus its prior owner had included a snap-on lens cap, the original hot shoe cover, and a nifty Vivitar UV filter.

While not pristine this GSN is still in excellent cosmetic condition for its age, and the fixed lens is flawless. Looks can be deceiving however, and it suffered from a common issue called the “Pad of Death” that eventually afflicts nearly every Yashica Electro. Luckily the Electro 35 is mostly mechanical with some old school electronics and is repairable.

Fixer Upper

After a night of research on YouTube, I resigned myself to the fact that it needed a CLA. I wasn’t willing to sell ANOTHER Electro 35, and I obtained this one for such a bargain that fixing this common problem was still within my budget. Plus, when you’re dealing with vintage equipment, cosmetics count. Internals can be replaced/repaired but sometimes body restoration is impractical. This particular GSN is still pretty at over five decades old.

I sent the camera to Mark David Horn who specializes in Yashica repairs (great guy!) and he performed a full CLA overhaul, plus sent me a battery adapter which is a bonus since the old mercury battery these took is no longer legally available (yet another endearing quality).

His work was excellent, and the camera returned flawless, looking and working like it was built yesterday.

Ready to Rangefind

I’m pumped to get out and start using my shiny “new” Yashica. The pics I’ve seen online from other Electro 35’s online are pin sharp with a pleasant bokeh effect at open apertures. Also, I wanted a film camera that has more control than a point&shoot but is a bit “quicker” than my SLR’s. I hope the Electro fits that bill and I plan to post a review once I’ve run a few rolls through it.

Thanks for reading!